Publisert: 06. June 2006
Per Elias Drabløs
Research fellow
Postal address: Høgskolen i Agder Serviceboks 422, 4604 Kristiansand
Visiting address: Gimlemoen 25, 4604 Kristiansand
Room:
Hours available:
Phone: + 47 38 14 19 20
Fax: + 47 38 14 10 01
E-mail: per.e.drablos@hia.no
Background/education
Previous assignment
Teaching and tutoring
Ph.D.-project
From Jamerson to Spenner – a study of the melodic electric bass
The subject of this thesis is primarily an attempt to identify, isolate and define a kind of electric bassplaying I will call the melodic electric bass.
The term melodic bassplaying is characterized by an improvised, not necessarily repeated bassline, where the artist during a chord progression plays melodic lines – also in the higher register, and simultaneously look after the instruments originally role; focusing on the root and keeping the groove. This in an accompanying, non-solistic situation.
From the middle of the nineteen sixties, and well into the middle of the nineteen seventies, this kind of bass playing was the convention in several popular music genres, and mainly so in pop/rock/soul. So my main focus is: How did this melodic bassplaying come into being, and why did it disappear?
The thesis is divided into four parts: Definition of musical genres, qualitative interview, music analysis and music transcription, and I will through the project emphasize the term sound.
Selected publications
Artistic practice