Norges musikkhøgskole
Slemdalsveien 11
P.B 5190 Majorstua
0302 Oslo

Tlf: + 47 23 36 70 00
Faks: + 47 23 36 70 01
E-post: mh@nmh.no

 

Åpningstider
 

English version

Publisert: 06. June 2006

Per Elias Drabløs

Research fellow

 

Per Elias Drabløs

Postal address: Høgskolen i Agder Serviceboks 422, 4604 Kristiansand

Visiting address: Gimlemoen 25, 4604 Kristiansand

Room: 

Hours available: 

Phone: + 47 38 14 19 20

Fax: + 47 38 14 10 01

E-mail: per.e.drablos@hia.no

 

Background/education

 

Previous assignment

 

Teaching and tutoring

 

Ph.D.-project

From Jamerson to Spenner – a study of the melodic electric bass

The subject of this thesis is primarily an attempt to identify, isolate and define a kind of electric bassplaying I will call the melodic electric bass.

The term melodic bassplaying is characterized by an improvised, not necessarily repeated bassline, where the artist during a chord progression plays melodic lines – also in the higher register, and simultaneously look after the instruments originally role; focusing on the root and keeping the groove. This in an accompanying, non-solistic situation.

From the middle of the nineteen sixties, and well into the middle of the nineteen seventies, this kind of bass playing was the convention in several popular music genres, and mainly so in pop/rock/soul. So my main focus is: How did this melodic bassplaying come into being, and why did it disappear?

The thesis is divided into four parts: Definition of musical genres, qualitative interview, music analysis and music transcription, and I will through the project emphasize the term sound.

 

Selected publications 

 

Artistic practice